The Time Machine

“There are really four dimensions, three which we call the three planes of Space, and a fourth, Time.”

― H.G. Wells, The Time Machine

Time is a peculiar notion. 

It is tumultuous and taunting. It mocks us as we frantically attempt to define it, restrain it. All the while it continues, relentless and unyielding in its suffocating pursuit. Hungrily consuming the air from our lungs and darkening our thoughts.

The passage of time is truly daunting and deplorable. Its icy, unsympathetic, bony hands wound forcefully around my neck. Its spindly fingers creeping down my throat, choking me while it laughs uproariously in my face, its rancid breath blistering the skin on my cheeks. 

Where did the years go? 

What have they given us? 

Often it appears little more than the lingering stench of remorse, defeat, anguish and utter despair.

Yet here we are. Human beings barreling towards an indiscernible and imaginary finish line. What do we hope to achieve? What is the purpose of all our running? What are we even running towards? Isn’t it time to take a step back? To reflect? To take a deep breath and observe the world around us? 

Take it all in. 

Breathe. 

Allow ourselves to become submerged in the here and now. 

Just breathe in. 

Breathe out.

How facile it is to be sucked into and suffocated by the banality of our existences. Going through the motions, pages blowing off the proverbial calendar without us so much as batting an eye. The years go on and we grow weary. 

And so we must force ourselves to exhale. For so often it seems like we are constantly holding our breath.

- M xx


Love in the Time of Corona

“It was the year they fell into devastating love. Neither one could do anything except think about the other, dream about the other, and wait for letters with the same impatience they felt when they answered them.”

- Gabriel García Márquez, Love in the Time of Cholera

I have grown unreservedly weary of the notion that if it’s too good to be true it probably is. Have we become so jaded that we no longer believe that we are entitled to pleasure? I, for one, reject that premise entirely. If we can grasp even the slightest moment of contentment in this absurd and irrational realm with every damn nigh apocalyptic occurrence currently transpiring ad nauseum why fucking shouldn’t we? I am confidently apathetic as to whether or not it fits others’ anticipations of how happiness should appear and am unaffectedly indifferent apropos of the antiquated conventions it is expected to meet. To finally be truly gratified, fulfilled and secure amidst the dumpster fire burning furiously around us? I will undoubtedly sink my teeth into that shit and not a fuck am I relinquishing my grip. 

It is, to some extent, bewildering that all it can take is a singular, profoundly incredible human being to illustrate that you have exhausted 32 years of your existence utterly delusional vis-à-vis the conventions of romantic love. All of the calamity, the waterworks, self-loathing, cross-examination, torment, self-harm and substance abuse. The ostensible ardent melancholy; the aspirant, unambitious originators with their deep-rooted misery and unrelenting malaise. That cloying fairy-tale can remain buried within the pages of angsty dark romance novels where the tired trope of the tortured artist belongs.

Those who persistently weighed you down, made you feel less-than, imbibed your verve and joie de vivre with the ferocity of a ravenous succubus. Those that made you feel insignificant so that they might feel extraordinary, superior. Unswervingly placing you on trial and condemning you for their own inadequacies and failures and disenchantments. Those whose voices were deafening all the while refusing to hear. Those who floundered in their darkness and expected you to do the same, simultaneously dragging you into their very own personal circle of hell. Those who held you responsible for their misfires, incompetence and undoubtedly their own repentances, negating any accountability for the circumstances of their own creation. 

No. 

That is not love. 

Love, as I have recently come to comprehend and conceivably clandestinely yearned for, can best be described as the quintessence of euphoria. Love, to quote Kundera, “causes man to be lighter than air, to soar into heights,” filled with unadulterated elation and pure nirvana. Love is veneration, growing together, motivating each other, albeit through the trivial and inconsequential absurdities of everyday life. A love that is rooted in conviction and fortified by a sense of humour. Rather than wallowing in pain and disappointments, love should be supporting one another, having each other’s backs. Making that person, your person, feel remarkable, adored, and validated every goddamn day. To wake up exultant and at ease, to truly not let anything or anyone have the power to bring you down. 

That, my friends, is what fucking love should be all about.

M xx

Home



"For me, trees have always been the most penetrating preachers. I revere them when they live in tribes and families, in forests and groves. And even more I revere them when they stand alone. They are like lonely persons. Not like hermits who have stolen away out of some weakness, but like great, solitary men, like Beethoven and Nietzsche. In their highest boughs the world rustles, their roots rest in infinity; but they do not lose themselves there, they struggle with all the force of their lives for one thing only: to fulfil themselves according to their own laws, to build up their own form, to represent themselves. Nothing is holier, nothing is more exemplary than a beautiful, strong tree."

- Herman Hesse, Bäume. Betrachtungen und Gedichte

It is a somewhat peculiar albeit nostalgic excursion to return to one’s childhood home. No matter how long one is away for, or how frequently one returns, what remains unchanged with each visit is the distinct awareness of the familiar which is somehow entirely disconcerting at the same time. Perhaps this is because the nucleus of it all is fundamentally identical to the home you grew up in, spent your formative years, as it were, yet wholly dissimilar in a deeply unsettling and unnerving fashion.

You enter your bedroom and gone are the brightly coloured posters of long-departed performers adorning the walls; the sycophantic tributes to famous writers scribbled in marker long-since washed from the remaining furniture; the writing desk, once littered with curious knick-knacks, long ago relocated. What remains is a mere shell of the clutter and character that once breathed life into these four, now bare, walls. Where once hung an obscenely large, framed print of The Beatles ambling across Abbey Road now hangs a modest sketch of a wild cat, framed in respectable gold against a verdant backdrop.

You step outside onto the top of the stairs leading into the vast, capricious garden that lies beyond the cracked masonry of the dividing wall and perch on the edge of the peeling paint and overgrown ivy. This is the wall you broke your elbow jumping off of at age 7. Although decades have elapsed since then you can still recall the crack as your shoulder pulled back and twisted your arm beneath the weight of your body. The cast your classmates signed. The struggle of attempting to scribe with your non-dominant hand.

Your gaze is then drawn to the Mulberry tree, in all its splendour, because, oh, the secrets it houses between its ample branches. You recall the whispered giggles of sisters playing pretend. The tree not a tree at all, but rather an enchanted castle with never-ending, opulent rooms, occupied by day-dreams long since forgotten. Silkworms and tire-swings and purple-stained feet and sticky, ice-cream-stained fingers. You smile inwardly, taking in the tree, because it has certainly not lost any of its magic. The branches and leaves almost reaching out toward the house and kissing the grass beneath its shade, creating a curtain that secrets away the veiled fairy hideaway that lies beyond. 

These residual reminiscences sway across the lawn and cobblestone like exultant hauntings before your eyes. Constructing dance routines with your cousins to Patricia the Stripper; rehearsing Waiting for Godot with your best friend for drama class in high school; first kisses stolen under a blanket of stars; playing catch with your childhood dog; shooting your sister with a BB gun; drunken conversations laid bare across the old trampoline; birthday parties; holidays; endless joy, laughter, tears and even grief. From the broken bones and the buried rodents to the jumping castles and rusted dinky toys in the sand.

And the palm tree, once still slight enough for you to hurdle over as a child, now more than twice your height. All this beautiful, glorious foliage, once mere saplings, now stretching their branches high into the sky, reaching for the sun. It is a rather disquieting epiphany that tends to strike at the most inopportune moments, as most have the tendency to do. That terrifying realization of the unyielding and unrelenting passage of time. Of how much time has passed. Of what has been achieved, of all your disappointments and repentances over the years.

Yet, somehow, simultaneously, through the ache of melancholy and nostalgia, that garden, those trees, the memories, like a seedling piercing through the soil, a bud of hope.

- M xx

Somewhere Between Delinquency & Conformity


"It is by no means an irrational fancy that, in a future existence, we shall look upon what we think our present existence, as a dream."
- Edgar Allen Poe

Another day barrels rapidly towards nightfall. Another day squandered. As unforgettable as those that precede it. Yet I yearn for those midnight hours, the devil's hours, that time of night when sleep beckons, even so I resist. Calm in those precious moments. The howling wind well-nigh serene in its ferocity.

I fear my countenance is slipping into the abyss. Trepidation gripping its arctic fingers around my heart and compressing the last inkling of vigor out of me. This dreadful suspicion that I have become a ghost wandering the halls of my own life is entirely debilitating. No longer able to recognize whether I am dead or alive.

Gripped by the paralyzing fear that I am somehow running out of time. Unable to stop the incessant ticking of the proverbial clock. Tortured endlessly by my own self-doubt and self-loathing. 

I am drowning, gasping for air. Reaching out for help. But there is no-one reaching back to seize me and raise me from perdition. All I see is some twisted-faced, grotesque version of myself. A wicked doppelgänger. Gazing down at me. A malicious grin mocking me from above. Watching me slip further beneath the surface.

Is all of this, this existence, this reality, this mise-en-scène, little more than an exercise in futility?

- M xx

The Haunting


"Don't leave me, even for an hour, because then the little drops of anguish will all run together, the smoke that roams looking for a home will drift into me, choking my lost heart."
- Pablo Neruda, Don't Go Far Off

Fear, in my experience, is as powerful a motivator as love. The pair are but two sides of a single coin. Intertwined and interchangeable. There cannot be one without the other. That thing, that despairingly soul-crushing angst that what you have is nothing more than a fugacious moment in time, dissipating into the ether. That loss is inescapable and ineluctable. It is a suffocating realization. A haunting inevitability that chokes you, weighs you down, torments you through every moment of happiness, every ephemeral juncture of elation or euphoria.

The unavoidable terror of the thought of losing the person, or people, that mean the most, are closest to you can smother you, snatch your breath away. Razor-edged, piercing agony rips through your entire body, and you are paralyzed. Adrift in a sea of despair, self-loathing and deep-running, soul-destroying terror. Paranoia that plagues your every waking moment. An unwelcome nightmarish visitor in the fits of restless sleep. Taunting your subconscious, always there, just under the surface, jeering, teasing, mocking you endlessly, relentlessly.

Until you are nothing more than a shell of the person you once were, left contemplating who this person is that you have become. Utterly impotent in the face of heart-wrenching despair. An unconditionally terrifying and overwhelming experience.

- M xx

Fear & Loathing in Las Vegas



“In a closed society where everybody's guilty, the only crime is getting caught. In a world of thieves, the only final sin is stupidity.”
- Hunter S. Thompson, Fear and Loathing in Las Vegas

These people's lives are dull and repetitive. Cyclical, really. Repeating the same thing day in and day out, ad nauseam, expecting varying conclusions. The definition of insanity. It was unequivocally depressing. It had the innate ability to suck the life right out of you. Leave you empty, a shell of your former self. These dreary individual's joyless existences inexorably intertwined within the fabric of your own life. Leaving you to question your own mortality and the sheer transience of it all. The impermanency of jouissance, as it were. Any former glory they once might have possessed reduced to little more than a fading memory, recaptured fleetingly through the obscure haze of whiskey-coloured glasses. Their sadness dripping off the bar counter, hanging about in the air like stale cigarette smoke.

Fake laughter and feigned interest. Sickeningly saccharine honeysuckle little more than a cloying veil for antipathy and despair.

This place.

The air is feverish, thick and suffocating. The hum of the fridges, their garish neon lights taunting me, drilling through my skull. Jeering smirks, off-colour comments flung like knives. The cool, moist bottles forgiving against my sweaty palms. The throb in my ankle, the knot in my stomach. The desperation for my imminent escape palpable. Lurid, twisted faces like reflections in a fun house mirror. Contorted, deformed, terrifyingly human.

M xx

And Her Arms Were Branches Dancing With the Breeze...







"It is absurd to divide people into good and bad. People are either charming, or tedious." 

- Oscar Wilde

I wander through the halls of my life, my eyes glazed over and my mind numb. The various passages seem unfamiliar to me. I am in autopilot, smiling when necessary, revealing little of my true state. 

When I close my eyes I am in limbo, my naked body floating in a sea of blackness. My head is underwater and all I can hear is the dull thudding, reminding me that my heart is still beating. 

Somewhere else, in a cage, I am screaming with such force that my cheeks are ripping open and my gums are bleeding. I am falling down a never-ending rabbit hole. My body aches to be caught, to be held, to be squeezed. 

My life is simulacra and I am nothing but a vessel.

M xx

Do not go gentle into that good night




"Old age should burn and rave at close of day;
Rage, rage against the dying of the light."
- Dylan Thomas, Do not go gentle into that good night

Human beings are bizarre and anomalous creatures. We desire change at an inherent and perhaps even primal level, yet we simultaneously abhor and rebuff the very thing we crave.

Perhaps this is because, at our essence, we prefer to embrace comfort in the face of the unknown. We would rather avert our gaze than stare down, way beyond the precipice, into the endless void below.

I have always regarded myself as the type of person who constantly asks, "Do I dare disturb the universe?", and without hesitating, replies emphatically with a resounding "But of course".

Yet, is it really so despicable to turn toward comfort rather than espouse uncharted territories, particularly in our weakest moments, those of fear? Or is that the time in which we are required to delve into those unexplored depths with the most reckless abandon?

That is the unwavering, and likely unsolvable problem, I suppose. That is, the impenetrable question of the human essence, of how to define it, of how to negotiate it.

There is no definitive answer. The human condition is fluid and constantly manipulated by forces both exterior and interior to it. We can only decide how we wish to navigate our existence.

The rest is just ashes in the wind.

Love & light,
M xx

Night Film




“Mortal fear is as crucial a thing to our lives as love. It cuts to the core of our being and shows us what we are. Will you step back and cover your eyes? Or will you have the strength to walk to the precipice and look out?” 
― Marisha Pessl, Night Film

I felt my life was mostly the live action epitome of existentialism - existentialism incarnate - with fragmented bursts of normalcy. My reality a single extended exhalation. I felt frustrated, angry, anxious, confused, but mostly, sad.

After a fitful night spent thrashing around between the suffocating sheets unable to embrace the solace of sleep, I finally managed to fall into a disturbed and restless slumber long after the sun had risen. 

I awoke less than an hour later, unsettled, an aching sense of discontent lingering like stale smoke around my shoulders and collar bones. These nightmares are frequent and unyielding.

Love & light,
M xx

Waiting for Godot




“Estragon: I can't go on like this.
Vladimir: That's what you think.” 
- Samuel Beckett, Waiting for Godot


Over the past year and a half I have written sporadically. Wine soaked proclamations of love. Hopeless pleas of regret, sorrow, and irreversible anguish. Wallowing in misanthropic delusions my only solace. Tiny self-indulgent scriptures reserved only for me, to desperately clutch onto in self-inflicted moments of turmoil. Yet little of worth has been spilt from my quill.

Being creatively stifled has had an inherently crippling effect on me. I move through the world in a subdued state. Life passes me by in a swirl of muted colours that mirrors my jaundiced perception of reality. I have been completely stunted, entirely incapable of creative expression. A hollow shell of a human being trying to make sense of a nonsensical paradigm. Grappling for the energy to merely carry out the motions.

I fear I have become inexorably maudlin. Like a sad clown on the worst kind of summers day. Balmy and suffocating. The Great Pagliacci. Past his prime. Melted soft serve dripping down his pudgy fingers and wrists onto his chubby lap. Jaded and alone on the isolating path to self-destruction. 

To be entirely truthful, I have no idea where I am going. I am not where I expected to be at this point in my life. But really, who can predict these things. 

I tried picking up Bukowski but he only served to reaffirm my melancholy. The truth is, I am not entirely sure that we are ever capable of truly figuring it out. So we sit, drinking our cheap Scotch and sucking on our Marlboros, hoping for some inkling of enlightenment. 

But honestly, enlightenment is a lot like Godot. We can sit and wait and wax lyrical about our own conceptions of what it might be, but, like Godot, it repeatedly fails to arrive. The play ends, the house lights turn off and we are left in the dark, alone, no closer to to enlightenment than we were before. 

To prophesize that it is all doom and gloom, though, would be an insult to the truth. What other point to life is there than to grab onto the fragments of happiness that are flung our way and hold onto them with the utmost vehemence? Like a child unwilling to part with its favourite toy.

It only takes one person to alter our perceptions of reality, to banish the darkness and expose the cracks of light beyond the abyss, albeit in rare and infrequent effusions. If you happen to stumble across this person, do not let them go. You might not find another like them again.

Love & light,
M xx

there will be no trace that one was once two after I fade into you





I was once told that I am a tragic romantic, to which I protested with the utmost vehemence, utterly and inherently adverse to any and all articulations of myself as any version of an amorous fool. Yet, perhaps, as I twirl through the violent wind at that time of the night when a blanket of deathly silence covers the earth during the depth of a balmy and unrelenting summer, imploring him to follow me, chase me, consume me, I cannot help but wonder if the aforementioned description of me is entirely untrue.

The whiskey has muddled my mind and all I remember is uttering "Until we meet again" as I pull the door closed behind me, upholding the promise we made to never say "goodbye". Sitting alone in the uninhabitable dark after he has delivered me at home, the warmth of the golden liquid coursing through my veins, I am haunted by the feeling of his lips pressing against mine. The cool concrete of the long-forgotten basketball court against my skin, the faded graffiti etching itself into my back. Desperate caresses stolen under a cloak of inquisitive stars. The culmination of months of forbidden longing and illicit fantasies. The inevitable air of uncertainty looming ominously over our heads like a cartoon storm cloud, because we both know that our time together will be both tumultuous and fleeting.

"Have we inadvertently become the cliche we both detest with such loathing?" He asks me as we spin around on the aging, maudlin Round-a-Bout, the only reminder that this overgrown patch of grass was ever a play park. Presently it is haunted by the echoes of forgotten promises and sticky ice-cream stained fingers on a tranquil summer afternoon. The shrill cries of the laughter of children are nothing more than a faint residual memory filtering through the too-long blades of grass. We had spent the night flirting despairingly with a warm bottle of Jack Daniels he had secreted away in a hidden compartment in the dashboard of his car, expressing our malaise and unbridled abhorrence toward those prosaic and mediocre people who are shackled by the most banal characteristics of the platitudinous commercialized ideas of romantic love, vowing never to resemble them.  

I jump off the still moving Round-a-Bout and seize the cool metal with both hands to draw the ride to a halt as soon as he was close enough to face me. I remember the way the wind whipped through my hair as I held his face in my hands, afraid to let go, terrified at the thought of holding on. I tell him that it doesn't matter because in that moment we are limitless, cosmic, paraphrasing a line I had once read in a novel. All at once, in a most fortuitous and prodigious manner, I have the distinct impression that I am a character passing through an airport terminal and meeting eyes with a devastatingly alluring stranger in a Tolstoy novel. It feels a lot like serendipity. When I tell him this much he simply smiles and, cradling my face in his hands, kisses me. And suddenly, I am afraid that all we have left is borrowed time and stolen embraces. 

I told him that one day I would write about him, and now I suppose I have. 

Love & light, 
M xx 

Special Topics in Calamity Physics

 

 




"And I feel like I'm dippin' and divin'. 
My sky shoes are spiked with lead heels. 
I'm lost in this star car I'm drivin'. 
But my air sole keeps pushin' big wheels. 
My world is a constant confusion.
My mind is prepared to attack.
My past, a persuasive illusion.
I'm watchin' the future it's black.
What do you know? 
You know just what you perceive.
What can you show?
Nothing of what you believe.
And as you grow, each thread of life that you leave
Will spin around your deeds and dictate your needs
As you sell your soul and you sow your seeds
And you wound yourself and your loved ones bleed
And your habits grow, and your conscience feeds
On all that you thought you should be
I never thought this could happen to me." 

- Don McLean, Dreidel 

An imperceptible sigh. That is how I categorize my existence now. The slow and steady release of breath symbolizing my inability to hold on to the will to live. My perpetual decent into the various circles of hell. Dante's Inferno beckons me, with whispers that feel like thistles on my eardrums, blood trickling down the side of my face, the metallic aroma prickling my nostrils. I always thought of myself as a writer, yet I am barely grasping my ability to formulate the narrative, the lyrical dialogue, the intro, body and conclusion, as it were. I have lost the plot, a thoroughly post-modern dilemma, some might say. Is it ethical to call myself a writer if I am hardly wont to label myself human? Are the two really indissociable? My perception is warped, not unlike fun-house mirrors, distorting reality, drawing one into what lies beyond the twisted glass. A world of fear, loathing and disillusionment.

Love & light,
M xx 

Happiness Is...








The relative guilt I feel for abandoning my blog for such an extended period of time is increasingly overshadowed by my adoration for what can only be described as the most gorgeous creature ever to exist. My love for animals and my unrelenting persistence in begging my father for a puppy finally paid off. Despite my previous disdain for those people who Tweet, Facebook and Instagram countless pictures of their animals with silly captions, I have unwittingly become one of them, and the amount of fucks I give is less than none. Pepper is undoubtedly the most beautiful thing that has ever walked the earth. And our love for one another is unconditional. 

So I apologize for my abandonment of all of you two-legged followers out there, I have been rather consumed with the four-legged enigma who has stolen my heart. 

Love & light, 
M xx 

P.S. Stay tuned, more fashion-related and pseudo-intellectual (i.e. me being pretentious with my extensive vocabulary) posts to follow. 

The Unbearable Lightness of Being








“But is heaviness truly deplorable and lightness splendid? The heaviest of burdens crushes us, we sink beneath it, it pins us to the ground. But in the love poetry of every age, the woman longs to be weighed down by the man’s body. The heaviest of burdens is therefore simultaneously the image of life’s most intense fulfillment. The heavier the burden, the closer our lives come to the earth, the more real and truthful they become. Conversely, the absolute absence of a burden causes man to be lighter than air, to soar into heights, take leave of the earth and his earthly being, and become only half real, his movements as free as they are insignificant. What then shall we choose? Weight or lightness?”
- Milan Kundera, The Unbearable Lightness of Being

Milan Kundera is one of my 'all-time' favorite authors. At the risk of sounding like a pretentious sycophant claiming to be enlightened by the power of literature, I can honestly say that reading The Unbearable Lightness of Being altered my very essence. Please do not mistake my intellectual epiphany for some frivolous Eat, Pray, Love-type journey of so-called self-discovery, which is actually little more than a thinly veiled romance novel masquerading as a proclamation of empowerment. No. Reading The Unbearable Lightness of Being was not that kind of experience. The war-torn political wasteland of the 1968 Prague Spring seemed to serve as a metaphor for my eternal neurosis. Yet, what has haunted me most since opening the cover and absorbing the words for the first time, is the unshakable realization that I am, and probably will always be, a heavy person. Despite my constant efforts to let lightness into my life, I am continually weighed down by my perpetual anxiety. I am beginning to accept that I will always be more like Tereza than Sabina - endlessly heavy, freed only fleetingly by a chance encounter with a bowler hat and the unconditional love of a dog named Karenin. 

Love & light, 
M  xx 

A Portrait of a Woman as a Young Girl









Last night I dreamed that I was running through a forest. I looked down and realized that I was naked. I was confused by the serenity of my surroundings because my heart was pounding with fear. I had the feeling I was being chased. I glanced behind me and noticed an ominous shadow in my wake. I ran until I reached the bank of a rapidly flowing river. I spun around to face my shadowy opponent but I was only surrounded by trees and flowers and the soothing sound of the animated water below me. The distinctive aroma of cherry blossom suddenly occupied my olfactory senses. I looked across the river and saw a tall, pregnant woman staring back at me. "Am I dead?" I screamed, but the words caught in my throat and I was acutely aware that I could no longer speak. The woman smiled at me and dived into the water. I awoke expecting to find her beside me but I was alone. 

Love & light, 
M xx